樊洲是一种现象，是“造陆运动”。混沌冥冥，忽然开为平川，荒芜逐渐繁茂，有了花鸟生命，代代相传，进化而愈见精致；忽然这一切都断裂、陷落，繁茂、精致化为咆哮的汹涌，劈平川而为大峡，恣意纵横，潇洒奔流，又忽然大峡突兀崛起成为雪山，恣意、潇洒被锻为无数宛若斩掉了头颅的人驱，累累堆积耸入苍穹，成为方正的巍峨与雄浑……繁茂、精致是樊洲；恣意、潇洒是樊洲；巍峨、雄浑也是樊洲。一生三，三生九，九九而生天下，其中奥妙在乎善变，变则通，通则达，樊洲己深得其中三昧。
　　樊洲欣赏蓄势，每每挥笔前闭目面壁蓄势造化之时，樊洲已不存在，存在的只有混沌，他的自画像：混沌举着灵魂，举着包容一切的无限之态；混沌却藏着双手，而那己不是人手，那是造化之象，那是鬼斧神钺，那是自然创造的生命再造自然的精灵，那是凝聚、蓄发造陆运动的仙灵之势。蓄势是人匍伏自然之后拥抱自然之后砸碎自然碰撞自然，然后用精气焚净的骨重塑自然的子夜，而只有攀援了子夜之前所有崎岖的双手，才能捧起悬挂在子夜之后那绝壁巅顶的太阳。
　　樊洲是不可断言的，断言他的未来，正如断言太平洋永远是风暴倒卷蓝的惊涛，还是浮出汹涌成为摇曳着绿的平坦，或是凝为冰川结晶圣洁的雪白。

　　Phenomenon of Fan Zhou
　　By Lin Qing
　　Fan Zhou is not only name of an artist, but also stands for a type of art. This type of art was born from chaos. As time passed by, the rivers came out, as well as the flowers, birds and other animals. The lives made the world more peaceful and vivid. But one day, the peace was broken up and everything changed in a while. The flat land became deep canyon that runs unruly, and then became large snow mountain that looks majestic. No matter it looks peaceful, unruly or majestic, it’s all style of Fan Zhou. For Fan Zhou, change is the only way to develop him.
　　Every time before Fan Zhou painting, he will close his eyes and think for a while. At this moment, Fan Zhou is no longer exist, the only thing exist is chaos. He has painted his self-portrait in this way: the soul that contains everything held by chaos. There’re two hands hidden behind the chaos. They don’t stands for hands only, but also the extraordinary craftsmanship that is going to create the nature.
　　It is difficult to give a conclusion to Fan Zhou’s future, because he is changing in every moment, just like the Pacific Ocean would never be in one form