樊洲，其天意是：樊----把自己融入大片森林。洲----徜徉在博大的境界。樊洲中国画馆建造在森林之中。樊洲作品早已漂洋过海。樊洲与众不同。他少年习画，醉心于中国画研究。四十多年来，从酷爱到疯狂，从疯狂到凝练。三十而立之后默神反思，一头扎进秦岭，把自己融入自然生态里。泼墨在生灵的呼啸中。其实，他早就在无数奖牌的辉映下，在无数国际展览中为中国画登上世界艺术殿堂奉献出神来之笔。当他的艺术造诣正如日中天，当各类艺术骄子汇集北京、深圳登台亮相，樊洲却进入了古老、原始的中国罗浮宫终南山，在大自然中苦练真金。艺术殿堂总归是名人汇集的地方。维也纳的金色大厅，回荡着贝多芬的跨世纪音乐，罗浮宫集纳的是具有达芬奇资格者的作品。樊洲，樊洲的生态画卷，一如贾平凹的生态文学，张艺谋的生态电影。他们同出陕西一炉，熔炼出生命之火，照亮中国艺术的天堂。

　　Talk about Fan Zhou
　　By Xiang Yuxin
　　Fan Zhou, name of a Chinese painting master, Fan means integrate into the forest; Zhou means roam in the realm of art. Fan Zhou is so different from the others that when the other artists run to the metropolis, he chooses to live in the old mountain instead.
　　Fan Zhou started to study painting at teens, and was deeply allured by the Chinese painting. After 30 years old, Fan Zhou rethought about the art of Chinese painting, and then decided to lead a life as a hermit in Zhongnan Mountains. He lived in this original mountain for almost 16 years until now. Most of his work draw in this period focuses on the mountain and natural lives.
　　Fan Zhou’s ecology painting, as well as Jia Pingwa’s ecology literature and Zhang Yimou’s ecology film, are the top art in China that came from Shangxi Province.